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Daddy's Boy Maxi
• EP • 2 tracks
Daddy's Boy Maxi
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Like a dream within a time capsule, the two songs seek to present an anachronistic life in a purified and mythical universe. Time is trafficked according to the melodies, to restore their brevity and intensity and consist only of the purest moments shared between Daddy and his "Johnny." In this trance/alt universe, everything on display is a fragmented projection of oneself. The actions are set in a somber reality (Daddy’s Boy) and a baroque fantasy (Daddy’s Boy Rhapsody) which allow the two protagonists to enter the field of “the game”-- the theatricalization of their shared fantasies. Exhibitionism is the privileged vessel of a spectacle of excess. According to Lacan, exhibitionism is the theater within the mirror which is engraved in primary narcissism-- the outcome of the exhibitionism is the desire for obscene provocation. Obscenity is defined by its attraction to condemnation: a challenge and reaction against a rigid audience. Between the story’s heroes, an obscene emulation is created: Johnny nominates himself "the nastiest" and takes it upon himself to magnify Daddy's debauched portrait...